Last week I took a breath from study to go to the cinema with Jordi. We went to see ( the modern because of classic) "The artist". The french director Michel Hazanavicius place the action in the Hollywood of the 30s, on the passage of silent movies to voice. The story is centrated in the careers of two actors: the first one, George Valentin, a very successful silent movie star whose career ends with the arrival of the talking pictures; and the second one, Peppy Miller, a young extra who turns in a major star of the voice cinema; who lived a sweet love story.
The transition between the two types of cinema is the main subject of the whole movie, and how it turns a nightmare for George and a dream to Peppy. Is the transition between two generations and two ways of understanding and seeing the world.
The platonic love between the two characters guides the story: from the moment they met, to the moment they finally are able to stay together, as if they were the two cinema traditions they represent. Valentin's pride leads his downfall as he resists to the changes.
The music and the no-voice gives an special atmosphere to the story and demonstrate how important is the body language and our capacity of understanding: you can follow the film really well (but, being realistic, I wasn't able to take out of my mind the idea of "something is missing": guess that the habit is too strong).
The photography and the atrezzo, as the aesthetics, are amazing. The sensibility and the sympathy of the images (and the absolutely lovely dog) help you empathize with the film, telling an atemporal story that fits very realistically the time where the story it's placed.
The artist is a reflection about the importance of being able to adapt to new situations, to progress and the transcendence of keeping open-minded. An actitude that seems a need in our crisis-times.
La semana pasada hice un break en mi periodo de estudio parair al cinecon Jordi. Fuimos a ver(lamoderna por clásica) "The artist". Eldirector francésMichelHazanaviciussituala acción en elHollywoodde los años 30, en el paso delcine mudoa la voz.La historia seconcentraen las carreras dedos actores: el primero, GeorgeValentin, una estrella del cine mudocuya carreramuy exitosatermina conla llegada de loscuadros que hablaban, y el segundo, PeppyMiller, unextra dejoven quese convierteen ungran estrelladel cinede voz; que vivenuna historia de amor. La transición entrelos dos tipos decine esel tema principal dela película entera,y cómo seconvierteen una pesadilla paraGeorge yen un sueño paraPeppy: Esla transición entre dosgeneracionesy dosformas de entendery ver el mundo. Elamor platónicoentre los dos personajesguíala historia: desde el momento enque se conocieron,hasta el momento enque finalmenteson capaces deestar juntos,como si fueranlas dos tradicionescinematográficasque representan.El orgullode Valentíndirigesu caída, mientrasse resiste alos cambios.
La músicay la no-vozdan unaatmósfera especiala la historiay demuestranlo importante quees ellenguaje corporal ynuestra capacidadde entendimiento, pues la película se sigue realmente bien (pero, siendo realistas, yo no eracapaz de sacarde mi mentela idea de "algofalta": Supongo quela costumbrees demasiado fuerte). Lafotografía yatrezzo, así como la estética,son increíbles.La sensibilidad yla simpatía delas imágenes(y el perro absolutamente precioso) ayudan a empatizar conla película, contando una historia atemporalque se adaptacon gran realismo al momento en quela historiaestá colocado.
"The artist"es una reflexión sobre la importanciade ser capaz deadaptarse a nuevas situaciones, de progresar yla trascendencia de manteneruna mente abierta. Unaactitudque pareceuna necesidad enestos tiempos de crisis.
The Brandery is over. I must confess that I have enjoyed a lot this edition. I'm recollecting all the photos from all the cameras, blogs and webs, so it's going to take a while to make decent posts about those three days. I let you some pictures from today, when I relaxed reading some of the magazines I took :)
Good week!
The Brandery ha terminado. Debo confesar que me lo he pasado en grande esta edición. Estoy recopilando las fotos de todas las cámaras, blogs y webs en los que aparezco, así que voy a tardar un poco en poder hacer algun post decente sobre estos 3 días. Así, que de momento, os dejo con algunas fotos de hoy, en que he aprovechado para cotillear alguna de las revistas que cogí ;)
Tomorrow starts The Brandery the fashion fair of Barcelona, I'm really excited because I've been trough a terrible week in Univerity, and actually, is the first time that I'm able to enjoy the three days. Here you can see my outfit's plan. :) Lots of photos soon!
Mañana empieza The Brandery, la feria de moda de Barcelona. Estoy muy emocionada porqué he tenido una semana horrible en la Universidad, y porqué, de hecho, es la primera vez que podré gozar de los tres días que dura la feria. Aquí podéis ver mi plan de conjuntos :) Fotos pronto!
As always, trying to enjoy life at maximum. Amazing party this weekend, can't wait for next week to enjoy the ones from The Brandery <3
Como siempre, intentando vivir al máximo. Una fiesta genial este fin de semana, no puedo esperar al siguiente: las fiestas de The Brandery me tienen loca!
The greatest nights use to be the result of improvisation and friends. That one wasn't an exception. Me and my friend Carlota were suposed to go for a drink, but we finally stayed at home and decided to try a Chocolate muffins recipe. It was really YUMI. (Actually, we are thinking in leaving the college and open a Cake shop :)). Here you have the recipe. I encourage you to try it: it's very easy and delicious!
Las mejors noches acostumbran a ser el resultado de sumar improvisación y amigos. Ésta no fue una excepció: yo y Carlota habíamos quedado para tomar algo, pero terminamos quedandonos en casa y probando una receta de Muffins de chocolate. Fue genial y quedaron riquísimos. (De hecho, estamos pensado en dejar la universidad y abrir una pastelería). Aquí teneis la receta. Os animo a probarla: es muy sencilla y deliciosa! :)
Ingredients
- 190g butter
- 190g brown sugar
- 5 eggs
- 160g black chocolate
- 90g flour
- 5g yeast
- 7g salt
1. Melt the chocolate
Derrite el chocolate al baño maría
2. Melt a bit the butter, add the sugar and the yolks. Mix it. Add the melted chocolate.
Derrite un poco la mantequilla, añade el azúcar y las yemas de huevo. Mezclalo. Añade el chocolate derretido.
3. In another bowl, beat the egg whites until stiff peaks. Add the mixture of chocolate and butter. Mix.
En otro cuenco, bate las claras hasta punto de nieve. Añade la mezcla de chocolate y mantequilla. Mezclalo.
4. Mix the flour, with the salt and the yeast, and add this to the mass. Mix it untill it is (more or less) homogeneous.
Mezcla la harina con la sal y la levadura, añadelo a la masa. Mezclalo hasta que sea (más o menos) homogenea.
5. Prepare the pots for the muffins. We use those purple ones with white spots. To fill the molds, put all the mass in a plastic bag and cut a corner. Be careful and think that the muffin will rise in the oven (Don't fill them too much!)
Prepara los potes para los muffins. Nosotras usamos estos lilas con topitos blancos. Para llenar los moldes, pon la massa en una bolsa de plastico y corta la punta (como una manga pastelera). Ve con cuidado y piensa que el muffin, crecerá en el horno (no los llenes demasiado!).
6. Put them into the oven at 210ºC during 17minutes.
Sales started few days ago with amazing discounts. There was a lot since the last time I went shopping (well, maybe not THAT much haha), so I was really excited about them! I'm extremely happy with my purchases. What about yours?
Las rebajas empezaron hace poquito, con unos descuentos maravillosos. Hacía realmente mucho tiempo desde la última vez que fui de compras (bueno, quizas no tanto ;)), de modo que me moría de ganas de arrasar! Estoy contentísima con mis compras. Qué tal las vuestras?
Shirts from Mango and H&M
Swan dress, from Zara
Gabardine from Mango (after years looking for the perfect one, I found this one for only 25€) and Coat with leather sleeves from H&M
Basic shoes, in brown; Mocasines, in wine; Basic brogues, to replace my old ones.
You were warned. I'm starting the changes, and an important part of them is the creation of a new section that I'm gonna call ART. Here I'm going to talk about cinema, theatre, literature and expositions I visit, in other words, I'm going to talk about the things that open a bit my mind and make me grow.
PD: I'm not an expert in any of the subjects I'm gonna talk, I'm just going to give my subjective opinion!
Empiezo una nueva sección en el blog que llamaré ARTE. En ella hablaré de cinema, teatro, literatura, exposiciones, etc., en resumen, de las cosas que me inspiran y me hacen aprender. No soy una experta en ninguno de estos temas, así que solo leereis mi opinión personal. No me juzguéis demasiado duramente.
DRIVE. 2011.(http://www.filmaffinity.com/en/film832415.html) Director: Nicolas Winding Refn Screenwriter: Hossein Amini (Based in the book by James Sallis) Composer: Cliff Martinez Cinematographer: Newton Thomas Sigel Cast:Ryan Gosling, Carey Mulligan, Albert Brooks, Ron Perlman, Bryan Cranston, Oscar Isaac, Christina Hendricks, Tina Huang, Joe Pingue, Christian Cage, James Biberi Country: USA Plot: DRIVE is the story of a Hollywood stunt driver (Ryan Gosling) by day, a
loner by nature who moonlights as a top-notch getaway driver-for-hire in
the criminal underworld. He finds himself a target for some of LA's
most dangerous men after agreeing to aid the husband of his beautiful
neighbor, Irene (Carey Mulligan). When the job goes dangerously awry,
the only way he can keep Irene and her son alive is to do what he does
best-Drive.
Few days ago I went with my friend Carlota to see "Drive". A friend of us had seen it at "Festival de Sitges" and recommended it a lot, so we enter the cinema with a lot of expectation.
We were not disapointed. The film happened to be a mix of genres. Noir cinema, violence, love and social criticism mixed in a brilliant film, with a quiet rythm that helps you going inside the story, without making it boring. The music was remarkably amazing and full of meanings, as were the silences.
I loved the crude violence showed in the film: with no sugar, no hidding. The violence is included in the film as a natural fact, nothing complicated or much prepared. The performance of the actors is perfect for each character, they really seem the persons they act to be. Ryan Gosling turns (more) easy to love interpretating this character with lots of nuances and shapes, but a great heart; in love with a sweet Carey Mulligan in the purest way: caring of her, and just trying to keep her and her family safe.Without any egoism.
I adored the presentation, with the pink credits, the anonymity of the driver, the music, the blood, the crudity, and also the aesthetics. The silver jacket with the scorpion turned into a symbol, and also into a metaphore.
Hace unos díasfuicon mi amigaCarlotapara ver"Drive". Un amigode nosotroshabía vistoen el"Festival deSitges" y lo recomendómucho, así queentramos en elcine conmucha expectativa.
Nonos decepcionó. La películaes una mezcla de géneros. Cine negro, violencia, amor y crítica socialmezclados enuna películabrillante, conun ritmo tranquiloque te ayuda metertedentro de la historia, pero sin que resulteaburrida.La música eraverdaderamenteimpresionante y cargada de significados, al igual que los silencios.
Me encantó lacruda violenciamostradaen la película: sinazúcar, sinesconder. La violenciaestá incluida enla películacomo un hecho natural, nada complicado o preparado.La interpretación delos actoreses perfectapara cada personaje, realmenteparecena las personasque interpretan. Ryan Goslingse vuelve(más)fácil de amar interpretandoeste personajecon una gran cantidadde maticesyun gran corazón, enamorado de unadulceCarey Mulligandela forma más pura: el cuidadode ella, ytratando de mantenera ella ya sufamilia a salvo.Sin ningún tipo deegoísmo.
Adoréla presentación, con los créditos de color rosa, el anonimatodel conductor,la música, la sangre, la crudeza, y también la estética.La chaqueta plateada conel escorpiónse convierte enun símbolo,y tambiénen unametáfora.
I hope that 12th of January it's not too late to wish everyone an amazing 2012 and send lots of energy to everyone that, like me, has already restarted the classes.
Here you have some pictures of New Year's Eve, hope you like them! :)
Espero que 12 de Enero no sea demasiado tarde para desear un feliz 2012, y mandar energías a todos aquellos que como yo, ya han vuelto a reprender el curso.
XX, Núria
With my amazing girls at Apolo: Carlota, Laia and Carlota
In the private party in Gracia, with Imanol
Him
The day after we still got energies to toast, Mom.